All five are available as modulation targets, as well, so it’s easy to get them moving with Timeless 3’s XLFOs, Envelope Followers, XY Controllers, MIDI CCs, and more. Add analog-style saturation and digital distortion with Drive and Lo-Fi soften, smear, and “reverb-ify” the signal with the Diffuse knob dial in instant compression or gating with Dynamics and shift the feedback up to an octave up or down with the Pitch processor. Any one of these can be linked to almost any parameter you can think of for the infinite control and modulation options.Color the sound of the delays with Timeless 3’s five new one-knob feedback effect modules. It has the same XY bar and pad, LFO, Envelope Generator, Envelope Follower, and MIDI source control. Users of Saturn 2 will recognize this modulation interface in a heartbeat since it’s a carbon copy. Clicking the Taps button lets you add up to 15 additional delay taps to the wet signal with configurable delay time and panning. ![]() You can also drag the repeats on the display to change the reverb tail length and feedback amount. The Delay display provides a visual reference for your delay settings and responds to the delay settings to show you what amount of dry signal is going in, how the wet signal decays over the delay taps, and how it interacts in the stereo field. The Effects are a new addition in Timeless 3, and give a Drive saturation, Lo-Fi distortion, a Diffuse control that blurs the delay output to add a reverb-like quality, a Dynamics gate/comp, and a Pitch shifter that transposes the delay signal +/- 12 semitones for up to a full octave. ![]() Each filter can be augmented in other ways, like Q, pan, and slope adjustments like clean, tube, or metal. Above these knobs is a filter display that allows for creation of up to six filters with selectable high/low shelf, high/low/band pass, bell, or notch, with slopes between -6dB and -48dB/octave. The last knob is for wet/dry and output panning, plus a delay mix and stereo width. The Feedback/Pan knob controls the total delay feedback and where the feedback is panned, and the Cross Feedback Mix sets the amount of crossover between channels. Around the main delay knob are additional freeze, ping-pong, sync, and read mode controls. This first pan controls the relative length of the pan, so at dead center both channels are delayed the same percentage of the tail length, and setting it left or right increases the length of those tails respectively while shortening the other. The delay is primarily controlled with a concentric knob in the middle, with the inner knob handling the delay tail length in milliseconds and the outer ring controlling the delay pan. Let’s deep-dive into the numerous features in Timeless 3: Delay and Filters Choosing the Best Digital Audio Workstation for your Home Studio.Best Acoustic Treatments for Home Studio 2021.Best MIDI Drum Pads for Home Studio 2021.Best MIDI Control Surfaces for Home Studio 2021.Best MIDI Keyboards for Home Studio 2021. ![]() Best Audio Interfaces for Home Studio 2021.Fixing Up a Vintage Reel-to-Reel Tape Recorder.How To Build a Studio Guitar with 48 Tones.How to Calibrate Your Studio Monitors with Sonarworks Reference 4 Studio.Synths and Virtual Instruments Menu Toggle.Audified AmpLion 2 Rock Essentials Review.
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